» .art

zip.disk [musik]

minimalspace — Sat, 03 Jul 2010 18:19:18 +0000

Today I was experimenting with some old zip drives I discovered inside a box in my studio. Rather than getting rid of them I wanted to see if I could use the drive as a industrial/data instrument.

The resulting experiment was beyond anything I was expecting. By simply soldering two piezo elements to the head of the drive and boosting the signal with a four channel preamp [which also allows for multiple line outs] the drive, when engaged, sounded rather amazing. I connected it to the computer, inserted a disc then waited for it to mount. I soon noticed that opening various file types directly from the discs would result in a variety of sonic output. Video files for example would create a slightly different texture than a static .jpg file. Media files also allowed the drive to be engaged for a longer period of time as the information was being transcribed.

I sent the audio output from the zip drive to a loop pedal to allow layering and then recorded the experiment/performance. What resulted was a slowly building, dark ambient/industrial soundscape composed entirely in the moment from three different zip discs and a loop pedal.

Raw recording 7m.36s
ZIP_DEMO_1.mp3

Over the next few weeks I’m excited to begin experimenting with both 5¼-inch and 3½-inch floppy drives. Who knows, there may even be a release in the future of just “disc.MUSIC.” Maybe I could call it “Funeral Hymns for Dead Technology.” Okay… maybe not.

north avenue: noise + vibrating.AIR documentation

minimalspace — Sun, 23 May 2010 15:08:19 +0000

North Avenue: NOISE + vibrating.AIR was an installation and live performance created for the MEGAPOLIS AUDIO FESTIVAL in Baltimore on May 14-16. Below is a slightly modified text taken from the press release.

“Bradley’s North Avenue: NOISE, a sound art installation, used the windows of the Windup Space gallery as a large tympanum that picked up the vibrations, via multiple contact mics, from the street and transmitted the audio through a series of multiple FM transmitters and receivers. Each low powered mini radio station rebroadcasts the signal to the next transmitter at 4 different frequencies over the FM dial. The final transmission is remixed into the original sound from the street windows creating a slightly off synch or “double image.” Periodically, beat frequencies will emerge from the broadcast air depending on the amplitude from the streets. The final transmission saturated the airwaves on the corner of North Avenue and Charles Street, Baltimore, Maryland, with a sonic checkerboard pattern. Sound artist Jason Sloan built a live streaming web interface for the North Avenue: NOISE installation that allowed a global audience to experience the work live regardless of their geography.

On Saturday May 15th, Bradley and Sloan employed a variety of RF receivers, radios, scanners, and the live web stream from the North Avenue: Noise installation to produce a 30 minute multi-textural carpet of undulating radio-phonic sound. Through the various layers emerged radio transmissions of live and fragmented voices, glitches and hisses from the Baltimore city streets and airwaves. “

All the sounds used to create the vibrating.AIR composition were extracted live from the airwaves and processed or edited on the fly. For example, the rhythm that emerges around the 10 minute mark of the piece was created from scanner radio static. One of my favorite moments was locking into someone’s home baby monitor who’s dialogue became the underlying narrative for the work. I also incorporated a live NOAA transmission towards the end of the performance which acted as a unique geotag and time stamp for the work.

Steve and I plan on releasing a hi-resolution audio and specially packaged limited edition CD documenting the North Avenue: NOISE + vibrating.AIR project in the near future. The CD will include interviews, various excerpts from the North Avenue: Noise web stream, plus a stereo and surround mix of the vibrating.AIR performance. More information will be made available soon.

vibrating.AIR performance. May 15, 2010.
vibratingAIR.mp3

Jason.Sloan and Steve Bradley discuss North Avenue: NOISE + vibrating.AIR on Maryland Morning.
Maryland_Morning.mp3

MUSICfor.one [byTEN] documentation

minimalspace — Sun, 21 Mar 2010 19:27:53 +0000

MUSICfor.one [byTEN] was a live “concert” improvisation created for the Chatroulette social network. Audio in the performance was generated from screen grabs taken of the first 10 people that appeared during a previous visit to the website. These pictures in turn became the graphic notation that loosely scores the work. Through this process I become the conductor while the anonymous Chatroulette users become the unaware orchestra. Below is documentation of the performance in two parts from the March 20th performance. The first movement resulted in a composition that was more “symphonic” than I had expected while the second movement was more textural.

In the virtual “wild west” of Chatroulette, there are few if any governing rules. Knowing this it still came as a surprise that I was “flagged and banned” from interacting for 10 minutes during Movement 2. Apparently, someone deemed what I was doing “inappropriate” behavior.

movement.1

movement.2

[http://chatroulette.com]

1444.minutes documentation

minimalspace — Sun, 28 Feb 2010 18:50:42 +0000

<– visit the 1444.minutes documentation site –>
**1444 MINUTES WAS LIVE FROM FEB 2, 2010 BEGINNING AT 4:34AM
UNTIL FEB 3, 2010 AT 4:34AM [-5GMT]

*1444 minutes has recently been selected to be part of Rhizome’s Art Base Collection.

mobile.music series [second e.p. available 02/12/10]

minimalspace — Tue, 09 Feb 2010 17:01:03 +0000

a little over a decade ago, artists and musicians began experimenting seriously with using laptops as instruments during live performances. i remember my friend matt borghi and i having long discussions about how the laptop could change how people approached live music. it’s funny looking back now thinking about those conversations because at the time, it was actually pretty uncommon to see a laptop computer at a live gig. fast forward to the present and hardly anyone would bat an eye at the sight of a computer or a variety of mobile devices on stage with musicians. software equivalents of analog gear that would have taken an army to move now easily fit onto a portable hard.drive and go just about anywhere. the studio has gotten smaller and compact while at the same time, way more powerful. what excites me about emerging technologies are how they allow artists to be creative just about anywhere and at anytime.

over the past year i’ve been using a variety of sound apps on the iphone during some of my live performances. a few days ago, i decided to attempt creating a series of works that used only the iphone as the sole sound source.

what resulted is the “mobile.music” trilogy series. each release will run between 20-25 minutes and be available as a download only. AVAILABLE in the store section of jasonsloan.com.

[e.p.1] released 12/12/09

< – - BUY - [e.p.1] – - >

BEGINtoEND [50 second excerpt]

BEGINtoEND

HUSHEDandblind [50 second excerpt]

HUSHEDandblind

[e.p.2] released 02/12/09

< – - BUY - [e.p.2] – - >

.emptiness [50 second excerpt]

.emptiness

.cycle [50 second excerpt]

.cycle

[e.p.3] release date: TBA

images from 11/22/09 WXPN radio concert

minimalspace — Tue, 01 Dec 2009 05:30:14 +0000



Images from the November 22, 2009 radio concert on WXPN FM’s Star’s End program. Philidelphia, PA
photo credits l-r: 1-3: soma611 4: kathy jeffries

baker artist awards

minimalspace — Sat, 10 Oct 2009 14:56:02 +0000

I’ll admit I have mixed feelings about these awards. But I always throw myself into the mix anyway. As an artist that works with technology, financially it’s a constant struggle to keep hardware and software needed for my studio practice and live performances up to date. Technology now allows artists to quickly distribute work and information in the blink of an eye, but unfortunately the methods of creation and distribution change just as rapidly. Baltimore is fortunate to have our annual Baker Artist Awards which grant three working artists a $25,000 prize for their creative practice. If you have a moment to vote, I would truly appreciate your consideration. Below are links to my artist nomination and to the Baker homepage.

• Jason’s Nomination Page
• Baker Artist Awards Homepage

pwn_yr.self

minimalspace — Mon, 07 Sep 2009 21:25:46 +0000

New net.art work launched:

“pwn-yrself.com offers visitors a real hacked index.html page acquired from a previously compromised web server. The visitor downloads the .zip file and using a text editor, simply types their name into the “INSERT YR NAME HERE” sections of the HTML and saves. Blog or website owners can replace their current home page with their new personalized hacked page…”

This work addresses issues of security, privacy, ownership, fear, and reclaiming our personal space on the net.work.

Read more about this project

new demo

minimalspace — Wed, 26 Aug 2009 06:22:36 +0000

The summer months have proven to be very fruitful in the studio. In addition to the recent visual works and performances, I’ve started working on the follow up to my most recent album [ -- ]. At the moment, i’ve recorded around 65 minutes of new material and plan to continue recording into the fall. Sonically, these sessions seem to be picking up where [ -- ] left off . If all goes well, look for a new album sometime during winter 2010. In the meantime, I’ve decided to let a demo of a new track out of the bag. More soon.

Enjoy.

theme.FORsunday [demo 2009]
theme.FORsunday

interviews

minimalspace — Fri, 14 Aug 2009 17:33:34 +0000

I’m currently in the process of scanning and archiving print articles, interviews & reviews from over the years. More will be added to the site as time allows. Once enough have been collected, a chronological directory will created for easier access. Below are the first two I’ve archived.
	+
Trajectories 2008 [1.90MB PDF]		EI Magazine 2005 [600kb PDF]